How do we unawake ourselves?
The main principles are very similar to the principles of magic tricks.
Of the ones Penn & Teller demonstrate here, several are specific to sleight of hand, and a couple is more universal.
MISDIRECTION
Misdirection means to direct attention away from where the real action is happening.
The magician may direct attention to another part of their body or stage, or use verbal misdirection (say something that’s not true), or some other form of misdiretion.
How does this apply to how we unawake ourselves?
Mainly, it happens through directing attention to the content of stories and away from noticing what we are. When attention is absorbed into stories, it’s difficult to (also) notice what we are. It’s difficult to notice our nature as capacity for our world, and ourselves as what any content of experience – including the stories – happen within and as.
Another misdirection is when attention goes to the content of stories and away from how our mind creates its own experience. Attention get caught up in the stories and we don’t notice how our mind associates particular sensations with certain stories, and how sensations allows the stories to seem more substantial and true, and how the thoughts give a sense of meaning to the sensations.
For many of us, these two forms of misdirection are so ingrained that we may never notice what our attention is drawn away from. In order to notice what we are and how our mind creates its own reality, we may need structured inquiry or some other form of disciplined practice.
SIMULATION
Simulation means to make something appear a certain way, and often in a way we are familiar with, when something else is actually happening.
For instance, we see a head and feet sticking out of two ends of a long box, and assume the head and feet belong to the same person. In reality, they may belong to two different people, or the feet may be fake. The magician simulates a single whole person.
Similarly, our mind simulates a great deal. It takes a diverse range of sensory information and creates it into a simulation of a world. It adds thoughts to this to tie it together further and create another dimension to our experience.
Our mind simulates the world as it appears to us, and we tend to take it at face value. This is part of how we unawake ourselves. Sensory information happens in our sensory fields, and together with thought, our mind creates it into a mostly unified and coherent experience of a world.
If we examine each sensory field and how the mind combines them, the illusion is somewhat seen through. We may see that we cannot take any of it at face value. The world, as it appears to us, is constructed. And the world, as it appears to us, happens within our sense fields.
From here, we may also notice that our world and any content of experience happens within and as what we are.
LIFE’S MAGIC TRICK
Life sometimes takes itself – locally and temporarily – as ultimately something within content of experience, as a separate being. In order to do so, it has to play a magic trick on itself. And it does so through some of the same principles as conventional magic tricks, including misdirection and simulation.
The most impressive magic trick of them all may be that we often don’t even notice that these magic tricks occur.
Life tricks itself without even noticing, until it does.
SEEING THROUGH THE TRICKS ADDS ANOTHER DIMENSION TO THE EXPERIENCE
For me, it adds to the experience to know how a magic trick is done.
I get the enjoyment of experiencing it without knowing. I get the enjoyment of figuring out or learning how it’s done. And I get to enjoy the skill of the performance.
It’s similar with life’s magic trick. We may first enjoy the illusion. Then the process of discovering how the trick is done. And we get to recognize how it’s done while it’s happening. We may also be in awe of both the simplicity and complexity of the illusion, and that it’s happening in the first place.
EXPLORING LIFE’S TRICK
How do we explore life’s magic trick?
How do we investigate and learn about how our mind unawakes itself?
I mention this in most articles here, and will briefly list some of the approaches I find most effective and helpful:
The Work of Byron Katie to investage thoughts we hold as true.
Living Inquiries to explore how our mind combines sense fields (including thought) to create its experience of us and the world.
Headless experiments to find our nature and what the world is to us. (To find ourselves as capacity for the world as it appears to us, and that this world happens within and as what we are.)
The Big Mind process to do the same, and explore the interplay of the innumerable parts of us.
OUTLINE
- principles of magic tricks
- the universal ones
- misdirection
- fascinated by stories so don’t notice our nature
- simulation
- make something appear to happen that don’t
- misdirection
- and the ones that applies more to sleight of had
- these don’t apply directly, unless use forced analogies
- palm – hold an object in apparently empty hand, something there when looks like nothing
- ditch
- steal – obtain needed object, sensations + thoughts
- load
- switch – exchange one object for another
- the universal ones
The main principles are very similar to the principles of stage magic and magic tricks in general.