
I read many of the classics from around the world in my teens and twenties, and have not been able to read much the last ten or fifteen years because of brain fog (CFS). It’s been a blessing, in many ways, to not be able to read much. I used to read between one and three books a week – mostly within psychology and mysticism – and it was a big part of my identity. Now, I have to find who I am without that identity, which is another adventure. And it’s also an invitation to stand more on my own two feet without too much input from books and talks.
That said, I am reading a few graphic novels these days since it’s easier for me. Right now, it’s The Odyssey illustrated by Gareth Hinds.
Any story is a reflection of dynamics in ourselves and our lives, and so also the story of Odysseus and Calypso. She is an immortal nymph who fell in love with Odysseus. She kept him captive while promising him immortality and freedom from the suffering of sickness, old age, and death. Zeus ordered her to allow him his freedom. And given the choice, he chose to go back to his wife. He chose to abandon immortality, knowing that he would have to experience no end to struggles and sorrows, including old age and death.
What does this reflect in me?
A MIRROR FOR ASPECTS OF THE AWAKENING PROCESS
In terms of the awakening process, we can understand this in (at least) two ways.
He found his nature. He discovered himself as what the world, to him, happens within and as. We can call this immortality in the sense that it’s what time and change happens within and as. It’s the timeless we always are, whether we notice or not, and no matter what happens with this human self over time.
The first way to understand the Odysseus & Calypso story is that he abandons the commitment to noticing and living from a conscious noticing of his nature. He goes back to the exclusive identification as a human self in the world, and noticing his nature becomes a memory.
That often happens, and it’s not wrong or bad. Our nature remains the same, whether we notice it or not. And it sometimes happens for a while and we are moved to keep exploring our nature again.
I find the other way to see it more interesting.
Here, Odysseus chooses to embrace his humanness more fully without abandoning a conscious noticing of his nature. The oneness we are notices itself and lives from and as that noticing. And yet, there is also a more full embrace of our rich, messy, and flawed human life.
This is often a sign of maturity. It appears we have a choice to remain mostly identified with and as our nature, with and as Big Mind. And we chose to abandon that identification and instead embrace all of what’s here including the flawed richness of this human and his or her life in the world.
And it’s not really a choice.
The oneness we are may identify exclusively as this human self. Then, it discovers its nature and identifies with and as a partial image of its nature. (Out of habit and out of a habitual impulse to protect itself against discomfort.) And then that identification has to go, and we have to find ourselves more nakedly and raw as what we are and what’s here, and that very much includes anything and anything that’s part of our human self and life in the world and in time.
It also and especially includes what’s part of this human self and our life that our personality doesn’t like. That too is part of the wild richness of what we are. That too happens within and as the oneness we are. That too happens within and as the timelessness we are.
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