I have enjoyed watching Stranger Things. It’s well written and well produced, it brings me back to my own childhood/teens in the ’80s, it has a reasonably good psychology and strong archetypal themes, and it has heart and is about friendship and community.
And as with any story, we can see it as a dream and a mirror for ourselves.
THE SHADOW BREAKS IN
In Stranger Things, the Upside Down threatens to take over Hawkins and eventually the rest of the world.
This is a mirror of when our shadow threatens to take us over.
The parts of us that are wounded, in reactivity to those wounds, and caught up in despair, anger, hatred, and so on, break through and are about to take over.
That happens for us when strong wounds are triggered, and we don’t have the resources to meet it skillfully. And in extreme situations, it may threaten to engulf us. We see this in Hawkins when individuals are taken over by Vecna, and at the end of season four when the town of Hawkins is about to be taken over.
FRIENDSHIP & LOVE
At the same time, there is the heart there, and friendship, love, and gratitude. This is at the center of the story and prevents our reactivity to wounds from taking over.
This friendship and love is among and within us. It’s here when we meet our experience – including hurt and our reactivity to it – with friendship, love, and curiosity.
WHO IS THE MONSTER?
One of the questions in Stranger Things is: who is the monster?
Is it Henry/One/Vecna? Or the creatures of the upside-down? (The friends see them as monsters.)
Is it Eleven and those like her, with unusual powers? (The military see her as the monster.)
Is it the outsiders, like Eddie? (The Hawkins community and the police see him as the monster.)
Is the the mainstream folks, like Jason, who become a monster by wanting to defeat monsters? (Eddie and his friends see him as a monster.)
In ourselves, is fear, guilt, shame, anger, reactivity, and so on the monster? What happens when we meet them with some acceptance, kindness, and curiosity, without allowing them to take us over? What happens when we recognize them as parts of us trying to protect us? As confused love?
THE CONVENTIONAL WAY TO DEAL WITH THIS SHADOW
There is complexity in how we relate to our shadow, including our reactivity to our hurt.
Do we try to get rid of it? Do we banish it to the “upside down”? Do we try to seal any portals to that side of ourselves? Do we insulate ourselves from it? Do we create and hold onto an identity as not that?
This is the conventional approach in our culture, and perhaps most cultures. It’s also what we learn from most stories in our culture, including – so far – Stranger Things.
It’s a pretty good approach. It’s better than allowing ourselves to be overtaken by our hurt and reactivity to the hurt. It helps us function in daily life.
At the same time, it doesn’t fully work. It doesn’t really resolve anything. What’s in our shadow is still there, and it can still break through. Since we have kept it at a distance, we also may not be very familiar with it, apart from seeing it in others and the world. We don’t have much experience and training in dealing with it skillfully, including when it breaks through.
A MORE SKILLFUL WAY TO DEAL WITH IT
So what is a more skillful approach?
It’s one that we sometimes see in our culture, and also in Stranger Things.
It’s to get to know our shadow better, find healthy boundaries with it, befriend it, and possibly even team up with it.
We can understand it better. Why is it the way it is? How did it come to be that way? What’s my earliest memory of feeling that way? Of reacting that way?
In Stranger Things, we see this in Eleven’s gradual understanding of Henry/One/Vecna, and how he came to deal with his immense hurt by wanting to control and take over everything and everyone. He is an example of how hurt people hurt people.
We may see that it’s there to protect us. We were hurt in the past, and developed ways to deal with that hurt and the situation that brought about that hurt in us. Our reactivity to the hurt is confused love.
We can find healthy boundaries with it. When it comes, how do I best deal with it? Is it to give myself some time to let the storm pass? Talk with a friend about it, someone who can support us in dealing with it in a healthy way? Is it to remind ourselves that we don’t want to act on it, and that we usually end up regretting it if we do?
It’s also possible to team up with it. We can have healthy boundaries, and also use the energy of it in a more skillful way. This is the black belt approach.
THE WORLD IS MY MIRROR
One aspect of this is to use the world as a mirror.
It already is, so we may as well make use of it to get to know ourselves better.
Whatever story I have about anyone or anything, I can turn it to be about myself, and find specific and genuine examples of when and how it’s true.
I can find Henry/One/Vecna in myself. I can find that hurt, and that reactivity to the hurt that tries to find safety in control and indulging in creating more hurt. It’s a very young part of me.
I can find the upside down in myself. The part of me that’s in the dark and full of scary and apparently sinister figures and dynamics.
I can find Hawkins in myself. The conventional community that works relatively well in an ordinary sense.
I can find the outsiders in myself. I sometimes feel like an outsider in the world, and I exile some parts of me and make them outsiders in myself.
I can find the bullies and the bullied in myself. I can find it in some of my relations with others, in the past and even now, and I can find it within myself. Some parts of me bully and hurt other parts of me.
I can find the group of friends in myself. I can find how and when I am a friend to myself, and to different parts of me when they come up.
I can find the love in myself, the love within the families, within the community, and among the friends. I can find it in my life, and in how I sometimes relate to different parts of me and my experience.
THE PRISON OF THE MIND
One of the themes of Stranger Things is imprisonment. The kids at Hawkins Lab were imprisoned and treated as experimental subjects. Henry was one of these, and had been there for years. Henry/Vecna later imprisons several of the kids he takes from Hawkins.
A part of this theme is the prison of the mind. When we get caught up in wounds and reactivity, it’s a prison. It can be a prison of anxiety, regret, guilt, and so on, as we see in the kids Vecna takes. It can be a prison of anger and violence, as we see in Henry/Vecna. And it can be a prison of fear, self-righteousness, and scapegoating, as we see among some in the Hawkins community and the military.
NOT BLACK AND WHITE
Although the main story starts out relatively black and white, there is a lot of nuance.
As we learn more about the backstory of the “bad guys” (the humans), we understand better how they came to be as they are and what motivates them. We can more easily relate.
We also get to see some of the shadow of the main characters. They, too, are nuanced.
A STORY WITH A HEART
The main reason I like Stranger Things is that it has heart.
It’s not only about friendship and love, but it’s written from an orientation of friendship and love. We learn to understand and empathize even with the villains. For instance, Henry (later Vecna) was accidentally infected with some kind of substance as a kid. This gave him his powers, it connected him with the Mind Flayer – who may have influenced him to kill part of his family, and he was imprisoned and held as a lab rat for years. He is traumatized, and it’s understandable that he went into a pretty strong reactivity.
RICHNESS OF ANGLES AND LAYERS
There are five seasons of Stranger Things, and they intentionally layer it and add connections at all levels of the story, so exploring the story and substories as a mirror for me has a great deal of richness.
SHIPPING AND PROJECTIONS
I have seen ST fans on social media “shipping” Will and Mike. It can be fun to imagine alternate storylines, but it doesn’t make sense to be invested in it. If we are invested in it, it’s likely a projection.
The energy in our own life that’s there to “ship” us into a relationship – with ourselves, someone else, or deeper with our romantic partner – is projected out onto a fantasy story.
If that happens, it’s good to notice, and channel that energy back into our own life. How can it be used to ship myself? Into which relationship do I want to invest it?
Also, in this case, it’s clear that Will is interested in Mike, and absolutely no indication that it’s reciprocral in a romantic sense. You set yourself up for disapointment if you invest energy into a fantasy story that’s very unlikely to move in that direction.
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