“Ego” here now

The word ego can refer to a sense of separate I, or the psychological ego, the operating system for our human self.

When I explore ego – in the first meaning – through the six sense fields, I find that it is just a thought arising here now, taken as true.

Attention gets absorbed in the inside of the thought, there is an identification with it, it is anchored on certain sensations which lends it an appearance of substance and reality – and also a location in space, it becomes a fixed view and identity, and with the sense of the thought being right and true, its reversals become wrong and false, so there is a sense of I and an Other.

“Ego” then is as ephemeral and insubstantial as a thought, since that is all it is. But taking a thought as true has very real effects for our human self in the world, as we can explore through for instance The Work.

This is of course a simplified version of it. When we explore, we can always find new layers of complexity and richness of this – quite beautiful – process.

In terms of the layers of thoughts, I find a layer of space, mapping the five sense fields on a sense of space and extent. And I find an identification with a thought, any thought, which is then mapped on sensations appearing in particular locations in space, guided by an image thought of this body which maps sensations, and this creates a sense of a separate I, of center and periphery.

Archetypes here now

All the conventional ways of looking at archetypes (the Jungian ones) are of course valid and useful. Looking at them in an evolutionary/biological perspective, arising in stories of all types, shared among people from different cultures, and so on.

But there is also a way of exploring them as they arise here now, and this one has been alive for me since I started working with the sense fields, noticing each sense field for itself, and then how thoughts combine with the four others to create gestalts.

When the fields are each seen for itself, the thoughts component of archetypes becomes very clear and distinct. I see that the archetype is a gestalt, arising here now, and I also see (some of) the different components of the thought, and how and why it has the effects it has as a gestalt, when it appears solid and real.

And as with any other gestalt, when it is seen in this way, simply, clearly, there are no hooks in it anymore. The hooks are there only when I get absorbed into the gestalt, when it appears solid, real, substantial, when I don’t see it as a combination of simple sense fields.

Not stage specific

There are of course stage specific tools, both teachings and practices, and these have practical value.

But at the same time, I can’t help noticing that the tools I am currently using are not stage specific. They can be used by anyone, from novices to people familiar with the terrain, from those firmly in grips of a great deal of beliefs to those verging on the border of selfless realization.

The Big Mind process can be helpful at any stage of the path, inviting our human self to function better in the world, refining our insights into dynamics, finding ourselves as Big Mind/Heart, and bringing it more fully into the life of this human self.

The Work can be used by anyone, including children, those with few beliefs apart from a subtle one of being a separate I, and also those from whom awakeness is awake to itself, helping them gain a more detailed insight into the dynamics of stories and their effects.

Allowing experience can be used by anyone, at any time. Can I be with what I am experiencing right now? Can I fully allow it, wholeheartedly, in a heartfelt way, as if it would never go away? Can I allow it all, including resistance and what is resisted? This invites a release of identification with resistance, and a release of identification out of content of experience in general. It also helps us notice how content of experience appears one way when resisted, and often a quite different way when allowed.

Headless experiments can be used by anyone, and most of them can be used any time and any situation. We find ourselves as headless, as the no-thing that things arise within, to and as. And we explore how this is lived through our human self.

Exploring the sense fields can be done by anyone, at least after a short period of inviting in a more stable attention. It helps us explore impermanence, notice thoughts as just thoughts, noticing the difference between attention absorbed into the inside of thoughts and not, exploring how thoughts form gestalts with the other sense fields that may seem very substantial and real, and much more.

Each of these are tools available to anyone, with just some basic pointers. Most of them are largely self-regulating, having built-in feedback mechanisms to guide us. All of them can be used by novices and those more familiar with the terrain, up to selfless realization and beyond.

Synchronicities

Yesterday, I listened to music while doing a sense field practice, exploring specifically how thoughts creates a sense of continuity. And as I did so, I noticed the lyrics I listened to:

Only this moment (Holds us together)

Which is a perfect reflection of what I was exploring. Only this moment holds it all together. Past and future, continuity, time, it all happens right here now. Thoughts happening here now is what holds it all together.

Only this moment holds it all together.

Röyksopp: Only This Moment from The Understanding.

Cloudiness and sense fields

I continue to explore the sense fields and how they combine to create gestalts, and in particular how thoughts combine with the other sense fields. (The sense fields: sound, sight, smell, taste, sensations, thoughts.)

I see how sensations combine with thoughts to create a sense of particular moods, emotions, pain, and much more.

Today, in the dentist’s chair, I noticed how particular sensations combine with thoughts to create a sense of discomfort. Seeing sensations as sensations and thoughts as thoughts, the gestalt loses its substance and sense of reality. The same happens when I bring attention to the sensations serving as anchor for the sense of discomfort. The gestalt cannot arise with any sense of substance when attention is brought to its anchoring sensation because the mechanism is seen through.

In the past, I have explored how sleepiness – for instance when it arises during practice – also is just a sensation combined with a thought.

And tonight, in exploring a sense of cloudiness, fuzziness, murkiness, I find that too as being made up of sensations and a thought.

In addition to all this, I also find that when there is an identification with any of these, it is as if a bulls eye for a sense of a separate I is placed on the sensations. They then not only serve as an anchor for the gestalt of an emotion, pain, discomfort, sleepiness, murkiness and so on, but also for the sense of an I with an Other.

And that is when, for instance, identity gets absorbed into the sleepiness or murkiness gestalt, and I fall asleep during practice, or the practice gets lost in murkiness.

Seeing all this, as it happens, allows the center of gravity to shift out of these sensations and gestalts. Now, I not only see how the gestalts are made up of sensations and thoughts, but the sense of a separate I is released out of them. (Either placed on other sensations, or seen through as awakeness itself.)

Now, they are objects happening within and as awakeness.

Working with body symptoms

I had an opportunity to explore ways to work with body symptoms last week, this time mainly just by fully allowing the experience, exploring the sense fields, and also resting attention on certain sensations.

Here are some ways of working with body symptoms…

  • Allowing the experience, in a wholehearted and heartfelt way, as they are, as if they would never change. Can I be with what I am experiencing right now? Bringing in the heart at times.
  • Resting attention on sensations, gently, stably, over some time. This is using body symptoms as an object for stability practice.
  • Exploring the sense fields, what is happening in each, and the gestalts that appear when they are combined. What is happening in sound, sensation, smell, taste and thought? How do thought combine with the other sense fields, such as sensations, to create certain appearances and gestalts? What happens when these appear solid, substantial and real? What happens when I notice how a thought combine with other sense fields to create those appearances?
  • Noticing the beliefs I have around body symptoms, health, disease, life, death, and inquire into them, finding what is already more true for me. (The Work.)
  • Finding myself as headless through the headless experiments. Am I the content of my experiences, or that which these experiences happens within and as?
  • Being curious about the process behind the symptoms, allowing it to unfold. What is left out of my conscious awareness that wants to be seen and included? (Process Work.)
  • Explore the voices that come up, such as the body, pain, illness, health, and so on. What do they have to say? How does the personality relate to them? How do they relate to each other? How does each one contribute to and help the human self? How can they do this in a simpler and more straight forward way? (Big Mind process.)
  • Deepening into empathy for myself and others. What I am experiencing now is universally human. Shared by all living creatures. We are all in this together. It is not (only) about me, but about us.
  • And then all the conventional ways of dealing with the symptoms or illness… going to the doctor, taking pills, changing diet, get more sleep, exercise, getting surgery, going to an acupuncturist, and so on depending on the situation.

As with anything else in life….

  • We can work with the content of it in a conventional way. In this case, going to the doctor, getting acupuncture, changing our health habits, and so on.
  • We can explore how we relate to it. Do I resist the experience? What happens if I more fully allow and stay with the experience? What happens if I bring attention to the symptoms in a stable and gentle way?
  • We can explore what is already more true for us about it. What are my beliefs around it? Are they true? What happens when I believe that? Who would I be without that belief? What is true in the reversals of my initial story?
  • We can allow it to work on us. When I fully allow experience, sincerely investigate beliefs, find myself as headless and so on, I can invite it to work on me, placing myself under it.
  • And we can use it as an invitation to notice what we already are. Am I the content of my experiences? These sensations, sounds, smells, tastes, thoughts that all live their own life, coming and going on their own time? Or am I that which these come and go within and as?