My personal relationship with AI-generated images

What are some of my personal relationships with AI-generated images (text to image)?

I LOVE IT

I love it. I apparently find it endlessly fascinating to see what comes out of it.

I also love it because it allows me to generate images similar to the ones I wanted to make back when I did art full-time – in my late teens and early twenties. (The sacred portraits – sculptures and paintings – are one example.)

I love it because it allows me to create something that I want to see now.

I love it because it feels like tapping into the collective image production of humanity and seeing what comes out of it. To me, it’s very much a collaborative process between me, Midjourney, the people across cultures and times that created the images it’s trained on, all of humanity since the totality of humanity is necessary for all of this to happen, and really Earth and existence as a whole – in its fullest extent and going back to the beginning of time – since all of it is necessary for any of this to happen.

SADNESS AND HOLLOWNESS

There is also another side to this.

I am hoping it will help me get back into a more old-fashioned and hands-on image-making. I would love to get back into drawing and perhaps painting or even ceramics.

It taps into some sadness of having abandoned something I loved so much and was so passionate about. I used to be unable to not draw daily and would draw for hours at a time and often through the night. It helped me come alive and connect with something deep and full in myself.

There is also a kind of hollowness in it. I love what comes out of it. I tap into my knowledge of art and art history when I make the images. I typically spend a lot of time refining the prompts. I create a lot of images and select the ones I like the most. And so on. So there is work going into it. But it also feels a bit hollow. It’s “just” a digital image and not something you can touch, hold and smell. It’s not something I created with my own hands. And that makes a difference.

THE SOCIAL ASPECTS OF AI

And there is more, which has a personal component since I live in this world.

I don’t like the term “artificial intelligence“. The program can mimic intelligence to a certain extent but it’s not intelligent. It’s based on statistics. When it comes to image generation, it predicts what elements typically go together. To me, AI is a misnomer.

It’s trained on a huge amount of images, so what it produces is a kind of average based on that material. The images are, at best, solid and good but not exceptional.

AI will take the job from some people, but not those very skilled at what they do. And AI will also make a lot of new kinds of jobs. I imagine that what we’ll see is similar to CGI in movie-making. It’s one tool among many others. And we’ll see a mix of AI and more traditional approaches, and interesting processes and dynamics between the two.

As with so much, it will likely not be as good as we hope and not as bad as we fear.

Image: An example of what I make with Midjourney that I would like to see. In this case, an imagined bronze sculpture with a certain expression and light.

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